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Various Artists – A Day of Death 1990

December 16, 2013 –

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The Glorious Times team recorded the “A Day of Death” concert from 1990 and made it available as a free download in MP3 or FLAC format. Basically an abridged version of the show, A Day of Death 1990 shows founders of the underground at their best.

Opening with Autopsy, A Day of Death 1990 begins with “In the Grip of Winter.” This version sounds rougher than the Mental Funeral variant that later became the norm, and more like an earlier recording I’d heard on an EP. This is followed by Repulsion banging out “The Stench of Burning Death” (later found on Horrified) pretty much exactly as it is on the album, which fits with the band’s reputation for being immaculately rehearsed. After that, Deceased lights up the soundboard with “Decrepit Coma,” which is tightly played but loud owing to the recording conditions.

After that, the first of two Cannibal Corpse tracks comes up; Cannibal Corpse are one of those bands like Venom, Pantera, Cradle of Filth and Meshuggah that strike me as historically important in popularizing a genre but perhaps culpable in eroding its meaning. Incantation follows with both “Profanation” and “Unholy Massacre.” These are live and a little unsteady and without the bass-intense production of Onward to Golgotha, which reveals these songs further but makes them even stronger as they stand up without the intense sound. After that, another Cannibal Corpse song and Deceased with “Haunted Cerebellum,” which is the really catchy song from their first album and is executed with potent verve and energy. Another Repulsion song, “House of Freaks,” which was not on their album, follows; it is more uptempo and a bit more hardcore than death metal. The set finishes out with Autopsy and “Severed Survival” which is a more deliberate and menacing version of this messy death metal classic.

This live album is great for three reasons: first, it’s a glimpse into the history of this genre with some of the most active players visible; second, it’s done in true underground style and given away free, since these bands have the albums to sell to finance their bands; finally, it’s killer and you’d buy it anyway even if it were $15 and said RELAPSE on it. A Day of Death 1990 is more like being at the Smithsonian Death Metal Hall than being transported via time machine, and it doesn’t sound its age so much as sound the level of equipment available, but it shoves forward these classic recordings in a way that makes death metal both more obscure and more accessible at the same time.

Glorious Times tshirts available with art by Kam Lee

December 9, 2013 –

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Kam Lee, former vocalist of Mantas/Massacre and former editor of Comatose Zine, has contributed art for the official Glorious Times tshirts printed for fans of the book and the time period. The shirts are white print on black and feature the Glorious Times stencil logo and art on the front.

We have covered Glorious Times in the past, but for the newcomer, it is a book of retrospectives by people who were active in the death metal underground from 1984 to 1991, which were the formative years of the genre and its earliest internal differentiation. Featuring many rare photos and perspectives, Glorious Times helped kick off the current retrospective view of the old school death metal scene that has brought many bands out of hiding and seen many classic recordings and publications re-issued.

For a sample of Glorious Times, download the Nuclear Death profile and read our update on version 2.0 of the book as well as our original article calling attention to the great work that Alan Moses and Brian Pattison are doing with Glorious Times and their help for the underground metal scene. Then consider buying a tshirt to support!

Glorious Times presents “A Day of Death 2013″ on Saturday, September 28, 2013

September 14, 2013 –

a_day_of_death_2013The guys behind Glorious Times, the book that helped many rediscover the early death metal and black metal underground, are presenting the latest in their series of classic death metal concerts named after the original “A Day of Death” back in 1990.

Unfortunately, this one is also the last they’re going to do of this series.

Like many shows, this has brought several bands out of retirement. This will be the first show of Baphomet/Banished, famous for their brooding chunky heavy metal, and bands such as Sin-Eater who have been inactive until this time.

A Day of Death 2013
Saturday, September 28, 2013
The Forvm Buffalo
4224 Maple Rd Buffalo, NY 14226
(716) 831-3271
Doors at 5 pm, 1st band at 5:30pm
$20 advance, $25 day of show

Here’s the list of bands performing:

Glorious Times team produces Jill Funerus benefit show on October 17, 2013

jill_funerus_mcenteeAs you may have read on this site, recently Jill Funerus (bassist/vocalist for FUNERUS) who is also the wife of John McEntee from Incantation ran into a spate of health problems. In addition to battling neuropathy and diabetes, she suffered a heart attack and related kidney dysfunction, but has pulled through.

We congratulate her on having survived such an intense health challenge. However, neither she nor her husband have health insurance and thus, they’re facing some intense bills for the surgery, medicine and several days she spent at the hospital.

The metal community is banding together to help them. Through the hands of Brian Pattison, one-half of the Glorious Times team, a benefit show has been established with 100% of the profits going to Jill Funerus’ medical bills.

Jill Funerus Benefit
Thursday, October 17 at 7:00pm EDT
The Forvm in Buffalo, New York
4224 Maple Rd Buffalo, NY 14226
(716) 831-3271

If you can’t make the show, like many of us who are thousands of miles away, you can send money via paypal to info@funerus.com. If you are from a metal band or have something else you can donate for sale/raffle at the benefit, please message the Glorious Times team via glorioustimesdeathbook@gmail.com. See also the Facebook event listing.

List of bands supporting the Jill Funerus benefit:

  • Abnormality
  • Abolishment of flesh
  • Abysme
  • Autopsy
  • Barzakh
  • Bernd Backhaus
  • Black Bear Printing
  • Blood Coven
  • Brutality
  • Buried
  • Butchered Records
  • Cannibal Corpse
  • Cardiac Arrest
  • Capathian Funeral
  • Chuck “Patchmaster General” Parsons
  • Cianide
  • Circle of Dead Children
  • Dark Descent Records
  • Darkapathy
  • Deathcrawl
  • Deceased
  • Deformity
  • Demented Dream States
  • Dismemberment (OH)
  • Druid Lord
  • Embalmer
  • Emblazoned
  • Fleshbound Productions
  • Full Blown A.I.D.S.
  • Glorious Times
  • Grave Descent
  • Gravehill
  • Gutter Christ
  • HPGD
  • Horrormerch.com
  • HRA
  • Immolation
  • Impetigo
  • Insanity
  • Jaymz Delisle
  • Jeff Standish
  • Legacy of Death Productions
  • Liquified Guts
  • Low Road Revival
  • Lucertola
  • Malevolent Creation
  • Malignancy
  • Manticore
  • Master
  • Mat Romero
  • Mausoleum
  • Mike Browning (Incubus)
  • Misery Index
  • Music Matters
  • New Order Records
  • Nokturnel
  • Nokturnel Eclipse
  • Pathos Productions
  • Prime Evil
  • Radiation Sickness
  • Randy Kastner
  • Repulsion
  • Rottrevore
  • Sacrific
  • Sam Biles
  • Sathanas
  • Seplophile
  • Signature Riff
  • Soulless
  • Splatterreah
  • Stevo (Impetigo, Tombstones)
  • Tainted Entertainment
  • Vile Records
  • Visions of the Night
  • Wehrmacht

Glorious Times team producing benefit show for Jill Funerus

September 7, 2013 –

jill_funerus-funerusFirst, a quick update on Jill Funerus and her health challenges. She had 100% blockage in one artery and less in another, but the damage was still extensive enough to cause a heart attack and kidney problems.

She went into surgery about 22 hours ago. However, she does not have health insurance and neither does her husband. Thus, she’s going to face some heft medical bills when this is all over.

To counter those bills, the Glorious Times team have partnered with death metal bands across the world to throw a fundraiser. Bands will donate items for a raffle, and perform, with the proceeds going to Jill for payment of her medical bills.

If you, dear reader, wish to help her out in this time of need, you can send funds via PayPal to info@funerus.com. Here’s the list of bands who have pledged donations for the Jill Funerus benefit:

  • Cardiac Arrest
  • Gravehill
  • Repulsion
  • Rottrevore
  • Insanity
  • Embalmer
  • Mike Browning (Incubus)
  • Cianide
  • Druid Lord
  • Impetigo
  • Wehrmacht
  • Master

If you are a band, label or distro and want to help out with the Jill Funerus benefit, please send an email to glorioustimesdeathbook@gmail.com.

Otherwise, check back here or on the Glorious Times Facebook.

Glorious Times team releases Nuclear Death profile

September 6, 2013 –

glorious_times_coverThe book Glorious Times portrayed the experience of being involved in the early metal underground in a way that no one else has attempted before or since. It awakened in many of us a desire for such times again, when truth mattered more than commerce and popularity.

Despite being initially scoffed at by publishers, Glorious Times exceeded all expectations and became a metal institution. The publishers, Alan Moses and Brian Pattison, have stayed active in the underground by promoting shows, writing reviews, and pushing forward bands that seem to have that sense of connection to reality that defined the early underground.

As part of their continued activity, Moses and Pattison have released a profile of longstanding band Nuclear Death. According to Pattison, the material had been slated to be part of the first printing of Glorious Times, but for scheduling reasons was never part of that issue.

Instead, it’s now available for free download thanks to the Glorious Times team wanting to update Facebook friends with a reward for their loyalty and continued attention to both Glorious Times and the underground.

This multi-page spread features a unique story by Lori Bravo of Nuclear Death, previously undiscovered pictures from the era, and the classic zine-style layout which made Glorious Times a hit with the oldschooler crowd as well as new generations looking for an alternative to corporate media.

Last copies of death metal book ‘Glorious Times’ for sale

January 19, 2013 –

Alan Moses from Glorious Times (A Pictorial of the Death Metal Scene 1984-1991) has announced that less than 40 copies of their book remain for purchase.

A collaboration between zine enthusiasts Alan Moses (Buttface zine) and Brian Pattison (Chainsaw Abortions zine), this relic features rare photographs and stories from the bands themselves. There are no outside influences to censor or alter what is displayed.

Bands featured:

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Acheron – Autopsy - Baphomet – Brutality – Cannibal Corpse – Cryptic Slaughter – Dark Angel – Deceased – Deicide – Derketa – Disharmonic Orchestra – Exmortis – Groovy Aardvark – Hellwitch – Hideous Mangleus – Immolation – Impetigo – Incantation – Incubus – Insanity – Lethal Aggression – Malevolent Creation – Massacre – Massappeal – Master – Morbid Angel – Napalm Death – Nocturnus – Nuclear Death – Overthrow – Paineater – Possessed – Prime Evil – Revenant – Righteous Pigs – Ripping Corpse – Sacrifice – Sepultura – Slaughter – Soothsayer – Terrorain – Tirant Sin – Unseen Terror – Vomit – Wehrmacht – Where’s The Pope?

The rumor mill has been pirouetting around Glorious Times, and there was a leak that a new book “Glorious Times 2″ is in the works.

Information for purchasing the remaining copies is located at their blogspot page.

“A Day of Death” rebroadcast

July 25, 2011 –

One-time only rebroadcast of the streaming video of A Day of Death (July 16, 2011). Final chance to see the entire event. Whether you missed it or attended it and want to relive it for another day, you have one more chance to see Kam Lee join Druid Lord on stage, one more chance to see Kam Lee join Derketa on stage, one last chance to see Kam Lee perform “From Beyond” in its entirety.

$10 via Paypal to glorioustimesdeathbook@gma​il.com (no later than Friday, July 29 at 10 pm est) link and password will be sent via email approximately 1-2 hours before the event airs. Grab some beers, invite the friends over and enjoy this once in a lifetime event, some of the bands of the day will be available in the chat room throughout the rebroadcast.

Lineup:

  • Lethal Aggression (only part of their set was streamed)
  • Hubris
  • Seplophile
  • Resist Control
  • Sam Biles
  • Avulsion
  • Goatcraft
  • Druid Lord
  • Derketa
  • Rottrevore
  • Deceased
  • Insanity
  • Nokturnel
  • Kam Lee
  • plus a surprise or two thrown in for this special rebroadcast.

For more information, see the FaleBook page.

Glorious Times: A Pictorial of the Death Metal Scene (1984-1991)

February 24, 2011 –

Some readers may have noticed the recent addition of a side bar promoting “Glorious Times – A Pictorial of the Death Metal scene (1981-1991)” and this inclusion is not without good reason. Laid out like the highly evolved Heavy Metal magazine we all wish we would see at the nearest news-stand, “Glorious Times” in true discriminatory fashion includes amongst its pages bands actually worth discovering and rediscovering, and although the layout is consciously rooted in the DIY mentality of early fanzines, this highly professional document provides a genuine glimpse into the workings of the early and mainly North American Death metal phenomenon.

Providing a visual assault via rare and intriguing photos that both neophyte and seasoned veteran alike will find delightful, “Glorious Times” also includes entertaining and enlightening anecdotes by and about many of the foundational North American death metal acts. Although some of the accounts are funny, juvenile and downright adolescent, they remain above all inspiring, standing as a testament to the devoted individuals who were dedicated to an art form that for them was the last bastion of truthful expression in the time of “The Great Lie”.

Given the “glory” of the documented time era we read thus with a slight sense of melancholy and loss, the release of a text such as this proving that these times have passed. With some misgivings we witness within ourselves a nostalgic longing for the mutual respect that those participatory individuals had for one another by virtue of their commitment to a common goal. We marvel additionally at the perseverance and DIY mentality of these restless and visionary artists, and commend their youthful and innocent intensity. We look fondly upon the early exuberance and the inherent excitement that permeated a movement that was giving birth to new and truthful forms of expression, but above all we witness and thus long for a genuine spirit of brotherhood and camaraderie such that now seems lost, although not dead, on the Hessian community.

However, the potent power of a document such as this, its capacity to inspire, rally and excite may yet prove itself invaluable in infusing the Hessian community with the spirit with which it was once animated. The seeds are laid – Onward!

Written by TheWaters

Glorious Times 2.0: New and Improved

January 9, 2011 –

We finally got our hands on a review copy of Glorious Times here at the HQ, and the verdict is in: much improved over version 1.0, but still a niche product, so those of you who want Death Metal History for Dummies will need to go elsewhere.

Glorious Times does a supreme job of immersing you in the culture, the music and the feel of the era without having to shape your mind with a narrative. This is both its strength and weakness. Compiled entirely of first-hand statements from musicians and writers from the era, the book lets you make up your mind and read for whatever interests you. This was I think a mature decision, because the writers recognized the niche nature of this material.

My co-editor, Kontinual, and I differ on the importance of this book. I see it as a compilation of primary sources; he, rightly, points out that it’s for a niche and not ready for mainstream consumption. I don’t see these two views as incompatible. Glorious Times is a primary source, and will be in for future academics and journalists, but right now it’s us nostalgia freaks who are checking it out.

And therein lies its strength. While the editors could have conducted interviews and comped statements together into a summary, imposing order and assessing data, that would have produced a linear perspective. Instead here you get the history told by as many people as wrote in for the book, which shows us how people differed in their approaches to this music, and yet also, where they converged. No linear narrative can show the same breadth.

Fans of the music, as opposed to academics and journalists, will find that like other legendary metal docs like Are You Morbid?, Lords of Chaos and Until the Light Takes Us, this book enmeshes us in the atmosphere of the time. You get to hear all about tape-trading, the personal lives of musicians, how people got into the music, and the decisions they made with their bands and lives. You don’t get the kind of clear but oversimplified summary that Sam Dunn peddles in his Global Metal (my personal favorite of his movies); instead you stagger into this strange land where gnarled figures emerge from the mist and tell you their story in riddle and rhyme, then leave you to drift onward along a hazy road. If you want to know what it was “like” back then, this type of book is your best guide.

Detrators will point out the weaknesses that correspond to this strength. They will also say that the layout is amateurish, which was true on 1.0 but is mostly fixed for 2.0, at least to mainstream rock book standards. Detractors will say that the lack of an editorial voice means that the contribution from band members are somewhat random, and that depending on this volunteerist attitude among subjects means that the bands that didn’t make it outnumber the important ones. While these criticisms, as are those of my co-editor Kontinual, are valid, they miss the point: this book is not here to offer an overview, a history or an ideological statement. It’s here to give you the feel for the time, and to provide rich primary source material for those who will research it in the future. I hope someday someone makes the sequel to this, in which they interview all of these bands for two hours each and then assemble the statements, but that would lose much of the atmosphere and require a larger staff and budget than any old-schoolers have at this time.

When we look back on any time, we tend to measure its information by what it would mean to us now. We are looking at single facts at a time, and we interpret them as they would fit into our current lives and technology. When we look at ancient Sparta, we are repulsed by aspects of their warrior culture that in our society, would be cruel and unusual. To them, these “repulsive” aspects were a matter of pride, and what shaped them as much as we are shaped by our pride in not being like Sparta. Understanding early death metal is a similar matter, in that our technology and society was so different back then that we cannot place many of these “facts” into context. We need to see them in their original context, and by seeing that social backdrop, understand the atmosphere before we start trying to pull facts out of it. Glorious Times keeps this atmosphere intact and, while it may be a niche for death metal nostalgia buffs at this point, for the future it is the first serious record of the early years of death metal’s genesis.