Hippies fail at metal because metal hates hippies

sepultura-early_band_photo

Hippies can’t play metal. Black Sabbath kicked off the metal movement because they wanted to make dark rock in contrast to the “peace, love and happiness” movement that had swept rock music into conformity. In this they joined other acts, like The Doors and Jethro Tull, who warned that good intentions would not save the world.

Since the 1990s, hippies are no longer the opposition to our evil conservative overlords… hippies are the Establishment, and they have become just as conservative and evil as anything before, except that now that have a mantle of moral superiority to use as a weapon like grandmothers use guilt. Not only have the hippies aged into their 60s, but they have adopted the view that they are right and anyone who deviates must be quashed. So much for the summer of love.

For that reason it’s natural that much as metal fought the suburban mom censors and Christian fundamentalists back in the 1980s, from the 1990s onward it has been fighting hippie fundamentalists who believe that peace, love, inclusiveness, happiness and political correctness are the only topics one can sing about, and if not, one is the enemy. This follows the path other ideological fanatics took, as in the Soviet Union, where their revolution for equality ended in mass executions.

This is a turf war. Hippies have wanted to take over metal since we challenged them (and their insipid rock) in the 1960s. They took over hardcore in the 1980s and songs went from rants about the imminent decline of our society to cute ditties about how the singer is outraged that people are not more accepting of everyone and everything. They transferred all that boring late hardcore into metal and threw some metal and jazz riffs on the top and called it a new genre, “modern metal.” The problem with it is that it is boring. Every single band of this type is random because the message it endorses is the anti-message: stand for nothing except going along with the hippies. This means writing transparent songs about SJW-topics that never really go anywhere since they all have the same meaning, “join the revolution!”

If you listen to enough modern metal, you will notice a pattern emerges. On the surface, this music is diverse and exciting. Jazz riffs, metal riffs, punk riffs and indie rock tropes compete for surface space. But then if you look at the heart of it, these songs really do not have much going for them. There is no melody or theme uniting them, just a loop of verse-chorus to which the band tacks on the randomness. This is because these are not songs about anything but are new and not very exciting ways of saying the exact same thing over and over again. Like a loudspeaker blaring in Moscow square, SJW-metal repeats the same propaganda in lockstep in hopes of reducing your brain to sludge so you go along with it. There is a reason it is all boring, and it relates to the purpose behind the music. Just like pop is annoying because its only purpose is to be catchy and vapid, SJW-metal is boring because its only purpose is to bleat propaganda while trying to be “unique” by making new surface variations of the same tired 1960s-1980s rock.

When hippies invaded rock, they destroyed it. When they invaded punk, they neutered it. If they successfully invade heavy metal, they will turn the last comfort of the rebellious soul into the dogma of the boring 1960s revolutionary left. SJWs are zombies who preach the same stuff that baby boomers were wailing on about in the 1960s, forgetting that all that stuff got debunked when the USSR fell in ruins and we got to see the SJW paradise: everyone was equal, and anyone who disagreed got shot, so no one did much of anything and it all fell apart. Hippies would bring us to the same end. They are essentially apologists for the decay of our society. Where metalheads want to look at reality and come up with solutions, hippies want us to space out with happy feelings and ignore the fact that we are in free fall as a society and soon to bottom out. This is why industry and government eventually embraced hippies: they do not threaten the power structure. Metal does, and that is why today’s hippies are trying to invade it, and why we must refute, resist and reject them.

35 Comments

Tags: , ,

#metalgate reminder: SJWs tried banning metal in the USSR

Bands the SJWs in the USSR tried to ban

Uproxx unearthed a list of bands that SJWs in the Soviet Union tried to ban for reasons such as nationalism, racism, neofascism, sex, eroticism and their favorite, “Anti-Soviet propaganda.”

Included on this list were Black Sabbath, Alice Cooper, Nazareth, AC/DC, Iron Maiden, Judas Priest and Kiss. As we go through another round of political figures attempting to brand metal as evil and force people to ostracize it, it helps us remember who their ideological ancestors are.

17 Comments

Tags: , ,

#metalgate goes mainstream

the_crab_ponders_its_assault

2014 will be remembered as the year when people woke up to how our minds are controlled by media. In every area of life, ideological fanatics have taken over and tried to gain control. In metal, #metalgate pushed back against these people not so much from outright disagreement with their intent but absolute hatred of their method — control through guilt — which reminds us of organized religion, high school disciplinarians, and other authoritarian types.

#metalgate has not gone away. First, Social Justice Warriors (SJWs) denied that it was happening. Then they blamed it on #gamergate. Then they claimed #metalgate had failed. In the process, however, #metalgate and #gamergate have been absorbed by the larger culture around us as people push back against the people who are getting a free ride in media, academia and entertainment by having the “right” opinions, and using guilt to force everyone to hire them and treat them as important. When in fact, most of them are semi-competent as their actions during #metalgate show.

Our own editor was kicked off a mailing list for having the wrong opinions. His satirical article which pointed out that punishments for rape are disproportionate given the nature of most “rapes” as post-sex regret, in the hands of SJWs, became treated like an actual rape. Academics and journalists on the list talked about how his words made them “afraid.” Then they kicked him off and closed their mailing list so outsiders cannot observe what goes on there. By doing so, they have made it clear that only SJWs are welcome. This reminds me of the JournoList scandal, in which media elites were using a mailing list to agree on how they would shape public opinion. Whether or not you agree with the opinions of the journalists in question, these are sleazy tactics that have more in common with totalitarian propaganda machines than a free society.

The conflict is spreading into the public sphere from several angles. #metalgate supporter and heavy metal frontman David Draiman (Disturbed) recently pushed back against the media in defense of his ancestral homeland, Israel:

“The mainstream media is setting the stage for a new Holocaust. They are the reason that this anti-Semitic fervor has been perpetuated over the entire globe,” said Draiman, who is the son of Israelis and the grandson of Holocaust survivors.

“It’s interesting how the media loved the state of Israel and loved our story when we were the underdog, and now that we’re no longer the underdog, now that we have the ability and the military might and the intestinal fortitude to always defend ourselves and defend our people and defend our right to exist, they damn us for that and they condemn us for that,” the heavy metal frontman added.

As Sam Dunn’s Global Metal illustrated, one aspect of metal is that it attaches very well to national cultures and helps people see national pride in a different way. In Israel, this means bands like Salem, Kever and Melechesh who do not shy away from the conflict in their homeland. Instead of taking an SJW-style viewpoint that there is a “right side of history” and claiming that anyone who disagrees is a racist (or sexist, homophobe, etc.), these bands explored the conflict to see what was actually driving people toward aggression. This is the metal way: we see conflict as growth, war as necessary, and we look underneath the surface illusion of society to see what is actually there. If you listen to society, you get social statements, media talking heads and neat tidy categories in politics. If you think like a metalhead, you look at the reasons for the conflict much like a scientist examines events in nature. You do not moralize, you explain.

Writing in The Federalist, Robert Tracinski discovers the high stakes of the current struggle between SJWs and the rest of us, and gives #metalgate a mention as well:

But this year, I discovered that while I might not be interested in the culture war, the culture war is interested in me. It’s interested in all of us.

This is the year when we were served notice that we won’t be allowed to stand on the sidelines, because we will not be allowed to think differently from the left.

Although The Federalist is a bit too right-wing for me, others have noticed from the other side of the spectrum. Over at Medium, Dave Pell writes about how social networking has created a culture in which we crucify people for saying things that offend others:

I worry that these new realities will lead us down path towards self-censorship. Sharing was fun at first. But now we can see the potential costs. And the risks associated with broadcasting our thoughts just might be enough to turn the era of open digital communication into the age of shut the fuck up.

Over at Spiked, editor Brendan O’Neill writes about how paranoia of this kind of public shaming and destruction is causing people to self-censor themselves, and how this makes us very much like the people who see as evil totalitarians.

Self-censorship is the worst form of censorship, for it encourages people to internalise illiberalism. It plants a secret censor in every boardroom and newsroom and gallery and even in people’s minds — an invisible tut-tutter constantly warning us ‘don’t say that’ and ‘don’t show that’ because, in the words of Index on Censorship, there’s ‘the possibility of a hostile response’. It nurtures risk-aversion, even moral cowardice, and it discourages people from taking great leaps of the mind or pushing culture in a new and provocative direction. It stultifies the soul. It hampers the human spirit itself. And worst of all, it inflames the intolerant: the more people self-censor, the more the censorious will demand it, whether it’s Oxford students, Guardian feminists, or foreign tyrants. If Guardians of Peace really is North Korea, then that shows that the West has become so allergic to liberty that even that tyrannical hermit state is taking lessons from us, borrowing from our book of using online intimidation to make offensive speakers apologise and retract.

Not only that, from a somewhat disturbing news article earlier today, you can see the rise of censorship in action in this story of a teenager who posted a (perhaps 4chan-ish) joke about a garbage truck accident.

The 19-year-old, believed to be Ross Loraine, from Sunderland, handed himself in to police yesterday evening after a number of complaints were made about the tweet.

He is alleged to have written: “So a bin lorry has crashed into 100 people in Glasgow eh, probably the most trash its ever picked up in one day that.”

Northumbria Police said he was arrested on suspicion of making a malicious communication and had been bailed while they made further inquiries into the incident.

I don’t want to defend this joke. I want to defend his ability to make this joke and for me to ignore it, much like I ignore misogyny in Cannibal Corpse lyrics and comically amateurish socialist propaganda in Napalm Death lyrics. I see those two lyrical missteps as coming from the same place, which is a desire to play with powerful and offensive symbols. Metal would scream “Fire!” in a crowded theater, blaspheme in church, eat cake in the bathroom and cross-dress at football games. It’s just what we do. We are part trolls and part people who do not trust society and its tendency to create a veneer of simple answers that conceal what is actually going on, which in our case is a very sick society possible on the verge of collapse.

Frenzied grand constructions, wars and great rituals are among the common responses of ancient leaders to crises. These demonstrate powerful responses by the leaders (enhancing their threatened hold on power), but almost never really address the problems themselves. A cynic might characterize the giant U.S. stimulus bill of 2009 as such an effort.

Leaders may recognize that they are not addressing the real problems, but they rationalize their actions with the argument that they must first politically survive in order to later address the hard problems and sacrifices. Of course, they usually don’t ever actually get around to addressing the fundamental problems later, either because they don’t make it through the initial crisis or because, even later, they are not willing to risk sacrificing their own position (or “career”) with needed measures that usually require tough sacrifices by the population.

We live in troubled times. SJWs insist that they are revolutionaries who are bringing us some kind of new enlightenment but in actuality they are repeating to us the same ideas from the 1960s that our parents and grandparents thought were new and fresh. Way to not think outside of the box, guys. While SJWs insist they are rebels against the Establishment, the truth is that they are the establishment. Government regulations and laws have created situations where offending someone, even if that offense is not sensible, can result the outsider being fired. SJWs use this threat passive-aggressively to force others out of the way so SJWs can promote their own brand of hipster “metal,” take positions in media and academia, and generally get their own way through means other than competence. This is similar to accusations in #gamergate, where female games journalists with no qualifications were getting promoted at a rate that correlated highly with their sexual conquests in the media in-group that included their employers. In “Let’s have a national conversation about race — so we can figure out whom to fire”, Eugene Volokh writes in the Washington Post:

Even without the risk of litigation, many people have long been cautious about talking about matters that their listeners might feel strongly about a deep and personal level — race, religion, politics, sexuality, and more. Nonetheless, it seems to me that the risk of vast liability has been an important factor in dramatically increasing the cost of expressing one’s candid views about race (especially at work), and in deterring people from expressing those views.

That’s what #metalgate is about. Make a joke about a garbage truck crash, or say anything about race that deviates from the official Title VII opinions set out by American laws and courts, and you are the bad guy and you will be fired. But this can be used as a weapon. An SJW comes along and says, “Promote me or I’ll claim you said something sexist, racist or homophobic.” Or they find some way to construe a relatively innocent statement as such. Or maybe you make a joke about a garbage truck. They now control you because you are indebted to them for not destroying your career, so you have to hire them. They then maneuver others like them on staff. If you wonder why journalists and academics write about things that have seemingly no relation to everyday life, this is why. You are looking at a jobs program based on government anti-discrimination law abused by a small group of hipsters who want to dominate the discussion and exclude anyone who does not agree — this is different than disagreeing — with them.

Metal and gaming are not alone. Other areas of life have been affected by these people as well, since being able to get yourself hired or promoted because of guilt makes it easy to succeed. But in 2014, people started pushing back. Metal contributed an important part of the conversation with #metalgate, and as this pushback gains momentum we will likely see more from that quarter.

2 Comments

Tags: , , ,

#metalgate SJWs blink

metalgate_sjws

Last night, the Music, Metal and Politics mailing list had its archives available for the world. Then we ran an article here showing various list members calling for censorship, career destruction and other forms of retribution against me for having published articles critical of SJW antics in #metalgate.

This morning, the list archives are password-protected, as if there were something to hide and a fear of outsiders. In round one of #metalgate, the SJWs struck what they thought was a decisive blow, but in the end, they blinked.

4 Comments

Tags: , , ,

#metalgate SJWs prove their real purpose: censorship

war_metal

Let us quickly get rid of a basic confusion: censorship is using social or governmental pressure to remove from view unpopular ideas that are also plausibly accurate depictions of reality. This separates the act of removing someone spraypainting “death to all metalcore” from a ban on articles about metalcore.

Social Justice Warriors (SJWs) comprise the driving force behind the incursion into metal against which #metalgate is a reaction. Metalheads do not want to be told what to think by a self-appointed cabal determining what is “true” based on their ideological agenda. It does not matter which agenda that is, only that it swallows up truth and metal equally and uses them as means toward its real goal, which is power and control.

Our first #metalgate article pointed out that the agenda of such people is inevitably control. Written by Cory van der Pol, the article detailed how political movements assimilate genres like metal, re-purposing them for the movement’s own needs. He followed this up with an article showing how the methods used by SJWs are bullying. Passive-aggressive bullying perhaps, hiding behind the pretense of morality and “good” politics, but nonetheless bullying. Then he illustrated how SJWs are associated with metalcore and indie-metal and are using it to slowly blot out real metal and replace it with this ersatz and inferior substitute. Finally, he predicted that SJWs would deny and conceal their actual goal, which is to censor — see definition above — any metal that does not fit their ideological needs and by doing so serve as a justification for their employment in media, academia and promotions.

He was 100% correct.

Today SJWs mounted a concerted campaign to remove me from the MetPol mailing list, which discusses metal and politics. As of this evening, apparently I have been removed. Here are some of the highlights:

Can the mods please block Brett Stevens / writing an article like the one natalie linked to is not only repulsive it’s misogynist.

We should take stand against this kind of thing. It’s unacceptable. It’s offensive. Especially to survivors of rape and sexual assault. – Rosie Overell

I would feel immensely safer if he were removed. – Natalie Zina Walschots

I am aiming to give #metalgate and its instigators as little oxygen as possible, but am glad Natalie brought this up here and would support the moderators if they chose to show Brett and his sympathizers the door. This is a place where people strive to broaden the understanding of metal, not narrow it, and while narrow views have a place in the world they’re not in keeping with the mission of this particular list. – Beth Winegarner

As one of the people that this piece of shit screen-shot their FB page and posted on his website, I must add that what astounds me – but doesn’t necessarily surprise me, unfortunately – is the lack of comments from both this thread and my so-called metal ‘friends’ on Facebook and Twitter about racism that surrounds the issue. – Laina Dawes

I will say, however, that I have been dismayed by this situation and I remain in awe of Laina’s courage to speak out despite the harassment and terrorization she has received. – Jeremy Wayne Wallach

This is a public list, with public archives that you can search via Google, Bing or the search engine of your choice. They are open to all and can be read by non-list members without a login or leaving any identifying information. These people are voluntarily posting this data to a public list where they hope it will be read for years to come. With this kind of outcry, it is not surprising the moderators chose to avoid damaging the list with more such drama and to remove me. It was the act of the small group — a dozen members out of a thousand — who chose to demand that I be censored and removed.

I have been a member of this list for the past year, entering in discussion about metal and providing links to resources there, without engaging in a single political opinion. To my mind, #metalgate has never been about politics and whether one side is right or not. It is about the tactics of a certain group who, in Cory’s words, use politics as the mantle behind which they assume power. In other words, they are doing it “in our best interests” and against our wishes are educating, enlightening and improving us to make us good citizens of their ideal society.

I’d like to keep this conversation going without hammering on the idiotic obvious. I appreciate the banning, but I’ll echo Olivia by quoting her: “…banning a single individual is not going to solve the problems of racism and sexism in the metal community. These prejudices are within us and among us, and begin with the complacency purchased by our various privileges.” – Sara Sutler-Cohen

My stance on this issue has always been clear: we stood up to the Christian right, then we stood up to the NSBM people, and now we’re standing up to SJWs. Metal has a unique view of life and a unique viewpoint on how to handle certain things, and it benefits no one to have metal start parroting the points of view of other groups. We should have a diversity of approaches instead of a lock-step uniform viewpoint enforced with guilt and threats of censorship and lack of tenure. My participation in this entire event was as someone opposing censorship, and those who can read will note that none of our articles here targeted the beliefs of SJWs, only their methods and motivations.

During my twenty years of writing about metal, I have sought to avoid both political dogma and commercialization. After initial experiences, I did not trust academia because of its long-standing bias in one trend or another. (And if metal hates anything, it is trends.) From starting the first underground metal site on the net, first as FTP and later as a series of web sites, I have always advocated an open mind and open discussion. This apparently is not the agenda of SJWs and despite their initial denial, they proceeded exactly as their dissenters said they would: with calls for censorship and propaganda.

In the meantime, #metalgate is gaining momentum with new articles in the work on both metal and social commentary websites. The SJWs have defeated themselves by becoming the caricature that their critics said they always were. And if we need to look for a silver lining to this cloud, it is the confirmation of that stereotype.

25 Comments

Tags: , , ,

#metalgate SJWs fight back

natalie_zina_walschots-metalgate

As you, our readers, know we tackle many difficult topics on this blog. Some involve pointing out what metal is trivial and what is not; others tackle “big people issues” like politics, society and moral questions. One of those has been Cory van der Pol’s recent series of articles on #metalgate, a conflict between “Social Justice Warrior” (SJW) journalists and those who feel that politics should not invade metal.

Death Metal Underground has for over two decades committed itself to truth, meaning those ideas which correspond to reality and imagination at the same time. We have broached many difficult issues and disappointed people from all sides of the political, social, sexual and ethnic spectrum, as well as delighting many others of similar orientation. If you like truth and metal, you will like this blog even if it has a somewhat acerbic style.

It is disappointing to see grown men and women behaving in such a way that there is only one word for them: bullies. Like witch hunters, bullies rely on a perception of social support in order to shame, humiliate and ostracize others. It is one of the lowest attributes of humanity to use bullying instead of the original form of getting anything done, which is honest discussion and debate. In fact, bullying is meant to prevent exactly that.

People such as the SJW above do not want a discussion; they want to ensure one does not take place. It is for this reason that we at Death Metal Underground proudly resist them and continue to run controversial articles by controversial writers. Anything else is preaching to the choir and I see no reason why we should waste your time with such a mundane endeavor.

Cory van der Pol may have another article coming on the #metalgate issue, or he may not. Regardless, Death Metal Underground will continue its mission of providing quality metal information no matter who gets offended and decides we are Satan. We will save you the trouble: we are the Satan to your pharisaic interpretation of God that excludes truth in the name of obedience, and we will always oppose you.

metalgate-facebook

15 Comments

Tags: , , ,

#metalgate calls us to action

Image by Gunnar von Cowtown.

Image by Gunnar von Cowtown.

By now, the rage over #metalgate has subsided as #shirtgate, #gamergate and #metalgate converge on a single movement that spans many genres: opposition to the censor police who, using political correctness as an excuse, have invaded multiple genres with mediocre options while declaring them enlightened. They have used this indirect invasion to take over media and public discussion, crowding out the better music and games for more propaganda.

The point made in these pages is that the invasion of terrible hybrid-metal bands — simply boring, pointless, pretentious and of no relevance to a normal life — into metal has come about as a result of the SJW journalist invasion that #metalgate spoke of. SJWs, hipsters and scenesters are basically the same thing. They find a new genre, exclaim how unenlightened it is, and then bring into it the same stuff they do everywhere else, making that genre as boring as their origins. These people are lost, without purpose, and desperate for any attempt to draw attention to themselves. When they take over, they all promote each other and talk about each others’ bands, websites and labels until they cloud the skies of that genre and most information about it involves the hipster agenda.

What I suggest today is <slight> action. That means that we do the simplest and least amount of work for the greatest effect. We know who the SJWs are and where they are writing articles. It’s time we exclude these people from the metal scene. That does not mean attack them, but to simply use other news sources, listen to other bands, and avoid their self-promoting circular masturbatory motion. Here’s a short list of sites that have supported SJWs:

These are the invaders who are trying to destroy metal music and turn it into indie/hardcore so it can be “safe.” If you support these with your band, your own reading, or your advertising, you are helping to turn metal into the latest version of hipster indie rock with the “safe” opinions that metal has always rebelled against.

How we shut them out is the same method used to keep Christians and neo-Nazis out of metal: say “that’s a political site/band/label” and imply that you won’t deal with them because of the resulting shady and manipulative associations. Pretend you found out that the Vatican, North Korea, Scientology, Monsanto, al-Qaeda, the Ku Klux Klan or Jesse Jackson were running a website and how you would react to that, and then apply it here.

15 Comments

Tags: , , , , ,

#metalgate helps put Hatred back on Steam

hatred-video_game

You probably don’t yet know this, but it’s ideological warfare out there. “Politics” no longer exists in the realm of voting and reading the Editorial page only. It is now part of every aspect of life, and the movement is only accelerating. This occurs because the people in our society are divided by what type of future society they want to be moving toward creating.

Some say this is accelerated by the collapse of the USA as a superpower and with it, the notion that the “American formula” of capitalism, the welfare state, democracy, consumerism and media power is no longer seen as a universal good. Instead it may be about to join the other failed ideologies — Communism, Nazism, Anarchism, and undoubtedly others — in the dustbin of history. Being on the cusp of such vast change naturally makes most people nervous, and so the masses are forming into mobs and squaring off against one another.

One of the big stories on your talking screen right now is The Interview. Apparently Hollywood — which never colludes with popular opinion in looking for bad guys who will not offend certain traditionally offended groups, like American Indians, the Chinese, and Arab Muslims — made a movie about a plot to assassinate North Korean leader Kim Il Jung. A group of hackers claiming to be from the DPRK have hacked into Sony studios, revealing in the process that upper leadership is almost entirely white and male, but are also threatening theaters that show this film. Many theaters have out of fear pulled it from their marquees. This is how you get things done in the age of ideological bullying: shut your opponents down, and call them fascists, all while enforcing some “fascism” of your own on their point of view.

Reaction to #metalgate has been mixed. SJWs first tried to deny it, then blamed the gaming community, and finally have fallen back on their try-hard die-hard standard of calling #metalgate supporters “fascists.” But today, #metalgate scored its first victory. The video game Hatred — developed in Poland by a group of metalheads — instigated controversy early on and, thanks to whining by SJWs who called it a “genocide simulator,” was removed from video game clearinghouse (like a cross between Google’s App Store and Amazon) Steam. But today, Hatred is back on Steam thanks to a grass-roots campaign by #gamergate and #metalgate supporters. You can see how this political warfare operates: the goal is to get the sellers to stop carrying certain games and music, which reminds me of the bad old days of the 1980s when Tipper Gore and her crazy friends tried to get heavy metal albums out of stores and barring that, required they have little stickers put on them saying that they had bad lyrics and Satan.

Over at MetalBlast, an article calls out this ideological warfare for the utter hypocrisy that it is:

In the world of Social Justice Warriors, when a white person “twerks” it’s cultural appropriation (because within their infantilizing view of blacks, Africans have a proud tradition of shaking their asses until they clap), while a female African American playing heavy metal is just a good “you go girl!” moment. This is, incredibly, both hilarious and infuriating at the same time, since while nobody has ever said that Derrick Green should leave Sepultura because he’s black, commentators, and even performers, demand whites leave jazz, rap and hip hop alone. Thankfully, those defenseless minorities can count with the Social Justice Warriors carrying the White Man’s Burden.

It would be ironic if “anti-racism” became another form of racism, one that rewards minorities for behaving in the way that their white overlords — er, social justice friends — want them to. But then again, it might not be out of character. After all, Eric Gardner was restrained by NYPD for the crime of selling single cigarettes. New York also made 24-ounce sodas illegal. Once upon a time, they made alcohol illegal, too. The motivation behind the “social justice warriors” of every age is the same: they have found a cause to which you cannot object without appearing to endorse its converse. There is no response to “Are you an anti-Nazi?” or “Are you a witch?” except an enthusiastic Yes! because otherwise you seem to be saying that you think Nazis and witches are just great, fine, peachy-keen. This condition is almost impossible to parody, as the Tyranny of Tradition folks explored with an article that made its points indirectly:

All I want is to not be told what to do by outsiders because they got their feelings hurt a few times growing up. People want me to speak in a way that is politically correct, but what about how I feel? What about who I am? Why do I have to be the one that pretends?

When our world is seen in a literal binary of “good” versus “evil,” we are the ones caught in the middle. We can become pawns for one side or the other, but insanity will win because politics has invaded normal life. The SJWs trying to take over metal have lost their legitimacy because metalheads have called them out on it, and the more they deny, obfuscate and outright lie, the more it becomes clear that we caught the real “fascists” with their hands in the cookie jar. They have lost legitimacy not just for their attempt to control us, but for their frankly boring and pointless imitation of all those old post-hardcore albums in metalized form. Metal deserves better, and seeing these pretentious gits kicked to the curb does us all a world of good.

5 Comments

Tags: , , , ,

“On the right side of history”

nu-underground

The arrogance of someone proclaiming themselves on the right side of history still takes my breath away. As if after all this time, there are simple solutions to human problems that involve a totalitarian presence, which is control of all that we say and thus what we think. This issue defines #metalgate and explains why it has provoked such panicked reactions from the nu-metal SJWs.

SJWs raise a number of objections to #metalgate. Their first trick is to claim that #metalgate does not in fact exist because there is not a single touchstone event, as there was with #gamergate, which set it off. Since #metalgate was brought on by years of articles (and boring, soulless politically-correct burnt out hardcore bands writing “metal” albums) there was not a touchstone event, but a gradual rising opposition. Their next trick is to claim that metalheads want the ability to behave like louts without consequence. This is an obvious lie, since all we’re asking is to keep the PC thought police out of metal, since PC thought police ruin everything they touch, much like their bad “metal” bands. Finally they insist that metal is dodging these issues entirely, which is not true. Metal simply refuses to adopt the PC framing of these issues, which is designed so that only one conclusion is correct. Their approach is similar to a Republican asking where we stand on allowing al-Qaeda into schools. The only response you can make is “well, of course I oppose that,” or your response is going to look like you are supporting al-Qaeda.

The point of this approach is literally thought control. As Roger Brown wrote in 1976:

The structure of anyone’s native language strongly influences or fully determines the world-view he will acquire as he learns the language.

Language works both forward and backward. It programs our minds to think in certain ways. If that language is changed, it works backward to change how we think about things. This is why people want to change the way you talk, program you to think in terms of issues, and otherwise force you to put your speech into a narrow range of what is defined as acceptable. They want to control how you think.

#metalgate got some interesting support some time ago from an unlikely source:

myrkur

This artist remains controversial because her band was so heavily promoted as being “female-fronted,” which to a metalhead is suspicious because it obstructs from letting the music speak for itself. Like music which insists you appreciate it on the basis of theory, whether musical or gender studies, the sex-based approach demands fans look at the music first in terms of what precious little category it fits into. This is the same thing as requiring that we like a band simply because it is popular and sold a lot of albums. Krieg’s Imperial weighs in on this one:

This might sound a bit mean-spirited, but I don’t think seventy-five percent of people would give any second thought to Myrkur if there wasn’t the campaign of secrecy behind it pre-release, coupled with the fury over the main musician having ovaries and other things people who still live with their parents are confused and frightened by. It speaks a lot to gender politics in music in general with how this scenario played out, and it wasn’t at all helped by shrouding the whole thing in mystery early on; Velvet Cocoon did that ten years ago and much more successfully. Now, it just comes off like the Sex Pistols or American Idol-styled manufacturing, but that’s easier to ignore than the moist masses who, when faced with a woman, can only yell “TITS!” like she’s unaware that she has them. Yes, black metal is a negative expression which isn’t the most inclusive of genres, but recently people have been acting more like they’re on Xbox Live than in a genre which should be held to a higher intellectual standard than most.

This takes a moderate approach to metal which is that most of us are tired of the bad behavior of people on the internet, which is not limited to tidy categories like “sexism” and “racism” but approaches all-around shittiness because angry teenagers either find an outlet for their anger — plant trees, join the Guardian Angels, work in a soup kitchen — or they become hateful little haters who do nothing but hate on all of us. #metalgate isn’t about these people. It’s about a small group of media darlings and their pointless indie rock and hardcore punk bands pretending to be metal so they can enforce thought control over us and make us their bitches.

The sad fact remains that people who talk about “the right side of history” have a control agenda. We see again why metal is always unpopular, which is that it avoids herd opinion on all fronts. Political correctness is herd opinion. It’s not even related to actual leftist theory, but uses that as its cover story to hide the fact that it’s a naked grab for power. Jim Jones, Adolf Hitler, Joseph Stalin, Tipper Gore and other cult personalities use this approach to build personal armies and take control. They are no different from the bigots who lynched people and who are currently beheading people and blowing up children in the middle east. Metal is just fighting back on its own terms, despite the apathy and isolation of most metalheads, because we don’t want to be part of their weird political jihad. And what’s more metal than that?

No Comments

Tags: ,

Why metal is better than “social justice”

hipster_trap

As #metalgate rages on on Twitter, Facebook, YouTube and Tumblr, the people who are trying to force these views on metal are defending themselves by claiming that #metalgate doesn’t exist or is insignificant. The truth is that this agenda has been advancing for some time and it has a dirty secret.

The dirty secret of the “SJW” agenda in metal is that it is totally unnecessary. Despite my own sympathies with many of the ideas they hope to achieve, like better treatment of human beings, I suspect most of these people are just poseurs. They are adopting certain viewpoints that they think are necessary to get ahead socially. Nothing makes a person feel more powerful than to be able to call someone else ignorant and selfish, while (in their own minds) looking superior, intelligent and altruistic. Especially if you are coming from behind and feeling ashamed about your family origins or stature in life, it can make you feel like a god to have moral right on your side and to look much more advanced than those around you. This is just another shade of the broken social life in the modern world coming home to visit metal and use metal for its own ends.

But even more, these “helpful” demands from SJWs are totally unnecessary. This is metal, where if you can create the music, you can join in the fun. We have always had something better than feminism with women being present and respected in Nuclear Death, Mythic and Bolt Thrower. People of color have always been here in Thin Lizzy, Suffocation, Blasphemy and Mystifier. Metal bands come from all over the world and from every tribe, culture and religion imaginable. We tend not to mark a little box each time someone who is non-heterosexual, non-white and/or non-male joins our ranks, but they are there and always have been. In metal, there is no need for a crusade for equality because we already have it. Even better, we have done so without turning that into a crusade against those who are heterosexual, white and/or male. We just accept people as they are.

When #metalgate upsets people it is because they do not want to face the conflict between outsiders and metal, as is shown in this article on MetalSucks:

But my ultimate problem with #metalgate is that it’s entirely manufactured. No one, or no group, is banding together to try and change metal in any one specific way — the threat is entirely imagined. Certain social values enter the metalsphere simply because those values are spreading throughout society as a whole — this idea that “SJWs” failed with #gamergate so they’re now moving on to a different cause is total bologna. They’re entirely separate people!

Personally, I enjoy what Vince Neilstein writes but don’t read it that often, mainly because I don’t visit sites with ironic names that censor out the word “fuck” for reasons unknown. But while I think he’s normally on point, here he confuses a few things. First “those values are spreading throughout society as a whole” means society outside of metal is adopting these values, and now wants metal to bow down and conform. He’s basically taking a pro-#metalgate point of view there but I’m not sure he intended two. Second, he assumes that the people involved in resisting the SJW incursion are #gamergate people, when actually it’s people like myself in metal who are not from either side of the political spectrum. We hate politics in our music, metal has already addressed this issue, and we don’t want to follow the herd in whatever flavor-of-the-month the iconoclastic hipsters behind the SJW fad think is important.

Metal has never been about doing what everyone else is doing but it has also never been about being “ironic” and trying to be different so hard that we act randomly. Metal is its own law and has its own culture. From outside of that culture, as Neilstein writes, people are trying to push conformist social values on us. The best “activism” for all of us who love metal is to push back against that dominant paradigm and go our own way instead.

6 Comments

Tags: , , , , ,

Classic reviews:
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z