Has Speed Metal Finally Become Assimilated?

From the flood of nonsense going through the news feeds, a sign that speed metal has gone mainstream:

A woman in New Zealand, refusing to bring another Mackenzie or Jack into the world, has named her three kids “Metallica,” “Pantera,” and “Slayer.”

Farrier reached out to New Zealand’s Registrar-General to inquire as to whether “there are any restrictions naming babies after band names, or albums.” He was told that there aren’t, “as long as the word used is not generally considered to be offensive or does not resemble an official rank or title.” This may rule out naming a baby after one of your favorite grindcore acts, but it did allow Farrier to verify the fact that Baby Metallica’s middle name is also—we’re not kidding—“And Justice For All.”

These kids will either have the best or absolute worst time in school, depending primarily on whether ‘80s thrash is currently cool with the youth—and whether lil’ Metallica has to deal with terrible classmates like “Napster” and “Decent Snare Drum Mixing.”

After nu-metal introduced chunky monkey riffs and gargled horse semen vocals to mainstream audiences, the percussive fast strumming riffs of Metallica, Overkill, Testament, Megadeth, Exodus, Anthrax, and their derivates (Pantera) probably seem tame, as do the later Slayer albums built around bouncy riffs and plaintively angry vocals.

When even Alex Jones uses Metallica songs for his interstitial music, and nostalgia for the 1980s and 1990s has overwhelmed a Western Civilization looking at the post-Clinton neo-Communist NWO disaster at the same time that people are seeking music from a mentally less muddled time, speed metal has become the archetype of all heavy metal, and therefore, has been easily assimilated by industry and mass culture.

Perhaps this explains why so many of the original death metal and black metal bands chose proudly to be underground, figuring that a few years of musical and artistic honesty would beat out becoming a careerist in a corrupt industry only to morph into Dad Rock as their fans aged into complacent suburban wage-serfdom.

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Demonpalm – Demo

Metallica’s mark on metal in both the mainstream and underground still continues to grow as every riff, drum fill,solo etc has been plagiarized. As Metallica progressed towards much tamer territories, the band did the opposite of what common sense dictated at the time. Instead of reneging their previous records, they embraced them and relished their mainstream status as kings of “The Big 4”. This allowed them to exist in a bizarre duality alternating between mainstream Radio Rock and furious Heavy metal depending on the fan. Through this duality many bands have taken from both periods to create a curious mix that resonates with with a wider audience. Demonpalm fall into this category but their music carries potential for something better in some of the brief glimpses shown here.

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SMR – Liberty Or Death: Feasting Upon The Vanquished

Liberty or Death is our main dilemma on this sadistic article: whoever is not willing to die for his freedom, is not worthy of it.

Freedom and apocryphal rites of bestial devastation are foundational imageries commonly associated with metal. On this article, we will try to face the Thing that Should not Be, understand why ‘to live is to die’, crush our enemies, see them driven before us and hear the lamentations of their women.

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Retrospective : Artillery – By Inheritance

Artillery are a Danish Speed metal band that have continued to sully their legacy with endless mediocrity that was so boring that even Metal Blade had to drop them in recent years. Despite all their recent shortcomings, Artillery were once an underground Speed metal that released two excellent albums before abandoning the underground in the pursuit of their magnum opus. Inspired in part by their journey to Tashkent in the former USSR which is now the capital of Uzbekistan, the band incorporated oriental sounds, a multitude of different riffs, haunting arpeggios and fist raising Heavy metal to create one of the finest releases in a genre which had already died at this stage.

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Introduction to Power Metal, Part I: Origins and Influences

(Join DMU Legend Johan Pettersson for what may be the most expansive analysis of power metal ever presented in the first of a 3 part series.  Listen to the accompanying suggested listening here)

Of all the subgenres and styles that fall within the metal spectrum (hence excluding unmitigated relapses into rock such as death’n’roll, stoner, nu- and indie metal), power metal most definitely counts as the one that has received the highest amount of scorn and ridicule from critics, fans and outsiders alike. (more…)

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Dave Mustaine Wants One More Big 4

Megadeth guitarist Dave Mustaine has been vocal these past few weeks of pushing through one final Big 4 tour before Slayer hits the nursing home. He believes, however, that there’s no chance Metallica will be in. Mustaine, committed to getting a piece of the Slayer retirement pie, goes on to say he’ll headline a big 3 tour (minus the big 1) or perhaps start a new big 4 with two other thrash metal giants….
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