#metalgate helps put Hatred back on Steam

December 17, 2014 –

hatred-video_game

You probably don’t yet know this, but it’s ideological warfare out there. “Politics” no longer exists in the realm of voting and reading the Editorial page only. It is now part of every aspect of life, and the movement is only accelerating. This occurs because the people in our society are divided by what type of future society they want to be moving toward creating.

Some say this is accelerated by the collapse of the USA as a superpower and with it, the notion that the “American formula” of capitalism, the welfare state, democracy, consumerism and media power is no longer seen as a universal good. Instead it may be about to join the other failed ideologies — Communism, Nazism, Anarchism, and undoubtedly others — in the dustbin of history. Being on the cusp of such vast change naturally makes most people nervous, and so the masses are forming into mobs and squaring off against one another.

One of the big stories on your talking screen right now is The Interview. Apparently Hollywood — which never colludes with popular opinion in looking for bad guys who will not offend certain traditionally offended groups, like American Indians, the Chinese, and Arab Muslims — made a movie about a plot to assassinate North Korean leader Kim Il Jung. A group of hackers claiming to be from the DPRK have hacked into Sony studios, revealing in the process that upper leadership is almost entirely white and male, but are also threatening theaters that show this film. Many theaters have out of fear pulled it from their marquees. This is how you get things done in the age of ideological bullying: shut your opponents down, and call them fascists, all while enforcing some “fascism” of your own on their point of view.

Reaction to #metalgate has been mixed. SJWs first tried to deny it, then blamed the gaming community, and finally have fallen back on their try-hard die-hard standard of calling #metalgate supporters “fascists.” But today, #metalgate scored its first victory. The video game Hatred — developed in Poland by a group of metalheads — instigated controversy early on and, thanks to whining by SJWs who called it a “genocide simulator,” was removed from video game clearinghouse (like a cross between Google’s App Store and Amazon) Steam. But today, Hatred is back on Steam thanks to a grass-roots campaign by #gamergate and #metalgate supporters. You can see how this political warfare operates: the goal is to get the sellers to stop carrying certain games and music, which reminds me of the bad old days of the 1980s when Tipper Gore and her crazy friends tried to get heavy metal albums out of stores and barring that, required they have little stickers put on them saying that they had bad lyrics and Satan.

Over at MetalBlast, an article calls out this ideological warfare for the utter hypocrisy that it is:

In the world of Social Justice Warriors, when a white person “twerks” it’s cultural appropriation (because within their infantilizing view of blacks, Africans have a proud tradition of shaking their asses until they clap), while a female African American playing heavy metal is just a good “you go girl!” moment. This is, incredibly, both hilarious and infuriating at the same time, since while nobody has ever said that Derrick Green should leave Sepultura because he’s black, commentators, and even performers, demand whites leave jazz, rap and hip hop alone. Thankfully, those defenseless minorities can count with the Social Justice Warriors carrying the White Man’s Burden.

It would be ironic if “anti-racism” became another form of racism, one that rewards minorities for behaving in the way that their white overlords — er, social justice friends — want them to. But then again, it might not be out of character. After all, Eric Gardner was restrained by NYPD for the crime of selling single cigarettes. New York also made 24-ounce sodas illegal. Once upon a time, they made alcohol illegal, too. The motivation behind the “social justice warriors” of every age is the same: they have found a cause to which you cannot object without appearing to endorse its converse. There is no response to “Are you an anti-Nazi?” or “Are you a witch?” except an enthusiastic Yes! because otherwise you seem to be saying that you think Nazis and witches are just great, fine, peachy-keen. This condition is almost impossible to parody, as the Tyranny of Tradition folks explored with an article that made its points indirectly:

All I want is to not be told what to do by outsiders because they got their feelings hurt a few times growing up. People want me to speak in a way that is politically correct, but what about how I feel? What about who I am? Why do I have to be the one that pretends?

When our world is seen in a literal binary of “good” versus “evil,” we are the ones caught in the middle. We can become pawns for one side or the other, but insanity will win because politics has invaded normal life. The SJWs trying to take over metal have lost their legitimacy because metalheads have called them out on it, and the more they deny, obfuscate and outright lie, the more it becomes clear that we caught the real “fascists” with their hands in the cookie jar. They have lost legitimacy not just for their attempt to control us, but for their frankly boring and pointless imitation of all those old post-hardcore albums in metalized form. Metal deserves better, and seeing these pretentious gits kicked to the curb does us all a world of good.

#MetalGate

December 12, 2014 –

diverse_burzum_hipster

I had hoped that the busload of squalling drama that was #GamerGate (see here: pro | con) would not come to metal, but #metalgate has arrived courtesy of the same people who intruded into the gaming industry despite a striking lack of actual contributions:

Metal is still dogged by the issues that arise from its deep-seated conservative values, but thanks to an increase in conversations about racism, politics, and feminism, those on the right side of history have gained solid ground. – SPIN

Before we get involved in this partisan squabble, consider that metal is beyond the left-right divide. The left wants individualism through equality, and the right wants individualism through lack of social obligation. Neither recognize that societies, like metal genres, are organic entities where more is required than individualism; we need cooperation.

It is easy to see however why someone might want to — as writers have in the past — call heavy metal conservative. Metal avoids “social issues” and other internal questions of a society and instead looks at the health of a society as a whole, or in other words, how sane it is. We see a world gone insane through a refusal to pay attention to reality. The methods of that are beyond an artistic genre and should be injected into it, but since 2006 at least trying to reform metal has been a pet project of certain groups:

More than three decades after Black Sabbath conjured images of the dark arts, heavy metal is growing up. The genre is increasingly incorporating social and political messages into its dense power chords.

Cattle Decapitation vocalist Travis Ryan said his San Diego band’s mix of charging guitars and an animal rights message is drawing a diverse crowd that includes activists as well as traditional metal fans. – The Washington Post

The grim fact is that metal has split into two groups. When the newer group encountered the older group, they were appalled that it did not share their opinions, not just on politics but how to live. This new group is inherently “social” and they share opinions which make their friends feel warm and fuzzy about them. That is at odds with the older metal tradition of not caring what society thought, telling the hard truth, and being obligated to no one because most people are crazy.

It is only when you get involved in a managerial role with society, like a kindergarten teacher insisting that we all play nice together, that you care at all about making sure that everyone is included. Metal does not. Metal looks at society from the view of history and whether it is healthy or diseased from within. The metalhead view is consistently anti-managerial, since metalheads recognize the deficiencies of people and want to keep most of them at a great distance. It is not that we want to manage them, like political people do, but that we want to be free of them.

For years people have tried to make metal more sociable. They first tried in the mid-1970s when they mixed Black Sabbath with Led Zeppelin and produced hard rock, hoping that they could sell it to more people. “Sociable” sells. Then they tried in the 1980s with rap/rock, funk metal and other abominations. Finally they hit on nu-metal but that turned into an extended conversation about the impact of child molestation. And then, during the early 2000s, they rolled out a metal/hardcore fusion that had sociable lyrics like hardcore punk has for many years.

Notice that none of this was brought on by metalheads. It was created by people who wanted to be metalheads, but felt they could not be metalheads unless the genre agreed with their existing social, political and lifestyle biases. At this point, the metal community has entirely split between those who like the old school and those who want to be “nu-skool.” This is because they are two separate genres. Metal is metal, and the indie-metal/metalcore wave is someone else trying to use us for their agenda. #MetalGate is just the latest salvo in this fight.

World’s first headbanger in chief elected in Indonesia

July 10, 2014 –

jokowi-headbanger-in-chief

Indonesia has elected the first presidential candidate to openly endorse heavy metal music in a heavily contested election. The candidate, Joko Widodo or “Jokowi” to his fans, lists Napalm Death, Lamb of God and Megadeth among his favorite metal acts. Widodo, who grew up poor and ended up in politics after starting his own furniture factory and having to work with regulators, represents a more moderate choice than Prabowo Subianto, a former general and son-in-law of former strongman Suharto.

At this juncture, it makes sense to ask whether metal really has underground status anymore. You can find it in record stores; it shows up in mainstream media; and now, a sitting head of state endorses it as his favorite form of music, having been photographed at numerous metal events and frequently wearing his Napalm Death and other metal-related tshirts. If there was a last barrier for humanity to face in regards to metal, it was the election of our first metal president.

No rumors have yet reached us as to whether American politicians will also adopt this outlook. Surely in the desperate rush for votes, Hilary Clinton or Mitt Romney can admit to at least owning one AC/DC album. Now that metal is no longer perceived as music of total outsiders, the social acceptance may spread and include it among normal social activities.

Does heavy metal have broader social or political implications?

June 1, 2013 –

heavy_metal_and_politicsAs part of my morning ritual, reading the news while half-asleep is important mainly because of the exceptions. Among the usual parade of murder, corruption, incompetence, failure, etc. there’s the occasional article that sends the coffee-cup tumbling over the edge of the table as I gasp and pull the screen closer.

Today, such an article was from the UK and entitled I’m a Conservative who loves heavy metal – here’s why, and made me spit coffee all over the sideboard. But if you read on, the article has some areas of interest.

First, like all good inner activism within politics, it begins by “outing” every single heavy-metal-loving conservative in UK politics. This is on the whole a good thing, as these people won’t be voting against their secret social identity in the future. In fact, they may be forced to actually own up to not only tolerating but enjoying heavy metal.

Next, the article contains this interesting assertion:

[H]ard rock appeals to a certain breed of Conservative. It’s not into navel-gazing; it’s rebellious, anti-authoritarian, full of strength in both the beats and the lyrics.

Although I’m not sure I know exactly what this writer means here, I think I get the general gist. Most of society is a pleasant cloud of mental images based on people selling you stuff, and that includes most politics. You’re afraid of war? I’m selling peace. You’re afraid of poverty? I’ve got a program for that. And so on, building coalitions of voters based on what they fear, and pleasant images of how these things will be fixed by government.

As a full-time cynic of course I don’t believe most problems can be fixed. In fact, if they’ve been around more than a few years and there’s not an explicitly technological solution, they probably can’t be fixed. But that’s my cynical self talking, so don’t let it bother you. I could be wrong. Most days I hope I am.

But that brings us back to the point. Metal affirms all that mankind fears, including war, disease, injustice, violence and murder. It’s not navel-gazing at all. It’s the music of those who are ready to go in there, get covered in blood and banged up, and fix things the old fashioned way, which is by killing the idiots and protecting the good people.

Then again, it may not. It may just be about shreddin’ tunes, a bong hit for the afternoon and drinks until the early hours of the morning. It could just be about hating your parents, like my parents said it was, or about dropping out of society. She has a point with the anarchic but full of strength part. Metal is like a strong leader, maybe not a political or social viewpoint however.

Maybe she has a point or maybe she doesn’t. Maybe this is conservative, although it seems universal to me. Unless you’re an avowed navel-gazer, in which case I apologize and hope you’re not on the board of my HOA. Either way, it’s an interesting question from an oddball article.

Heavy metal musicians involved with politics

April 25, 2013 –

jeff_sprague-damage_incJeff Sprague is a Canadian politician who is also a heavy metal musician. By day, he works in private security and is a member of the Conservative Party of Canada. By night he fronts a Metallica tribute band titled Damage Inc.

This may seem an unusual marriage, but consider: if we recognize that heavy metal expresses eternal values that are worth spreading; in the age of democracy, politics can be an effective method of achieving this. Rather than dismissing politics, Hessians should strive to get in and turn it in a more positive direction, as this not only improves political discourse, it also increases awareness of the Hessian community.

Unfortunately for Mr. Sprague, last Thursday he initiated a late night drunk driving incident. As reported by The Province, he decided to suspend his candidacy. A disappointing end, but one that offers a theme to reflect upon: politics requires a high degree of public professional behavior, something Hessians striving to achieve political change should take note of.