Today Relapse Records announced that heavy metal/post-punk band Tau Cross, whose self-titled debut was one of the Best Albums of 2015, have completed their second album, A Pillar of Fire, for release later this year in the summer.7 Comments
A cultured human being should pursue a good hobby. It’s somewhat more interesting if said hobby involves a mild vice or foible. The hobby should also develop skill and produce a satisfactory end product. It should make the person somewhat unique amongst a group of peers and allow them to develop camaraderie with their fellow hobbyists. It becomes a Schelling Point so to speak.9 Comments
Congratulations! Your society continues to squeeze out lumpy, furry, greasy and fragrant turds into the fresh bedding. Your government is corrupt; almost everyone in business and society is a robotic zombie; your mass culture is garbage and your jobs, jails. People are miserable inside but refuse to acknowledge it for fear of seeming weak.
On top of all of that, your future is grim as you slip further into third-world levels of filth, disorder, promiscuity, corruption, disorganization, perversity, crime and rotted infrastructure. How’s that whole modern society thing — consumerism, democracy, mass media — working out for you?13 Comments
Thanksgiving is a merry time of the year but the bender has to end with more Sadistic Metal Reviews!5 Comments
Tags: adaestuo, atlas, battle dagorath, cardinal wrym, crystalmoors, ctulu, do skonu, evil madness, forlet sires, genus ordinis dei, gravehill, grossty, haan, infant death, infecting the swarm, katla, kremlin, mordbrand, oddhums, perikato, riti occulti, Root, rudra, sadistic metal reviews, soothsayer, teksti-tv 666, the loom of time, vader, zornheym
2016 has been a dismal year for metal in terms of albums one might want to carry with them for the rest of their aimless and futile material embodiment. Fortunately, other genres are not so bereft of endearing symbolic language. Kretchmer is an electro composer who draws from the “braindance” acid of middle period Aphex Twin and the romantic melodic sensibilities of Kraftwerk. Each track possess an underlying narrative whose structure reveals itself via the gradual buildup of layers to a moderate density. A primary motif is looped or varied upon through the course of a given track. To further fill space, chords occupy the background and often provide a resolve to the melody as it cycles. Par for the course for this music, the drum and synth bass tracks play with the open space in between musical themes and function as harmonic rather than strictly rhythmic components. The emergent polyphonic circuitry pays tribute to classical sensibilities but eschews the theatrical; drawing instead from the grounded drama of the moving body.35 Comments
Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.94 Comments
Death Metal Underground staffers Lance Viggiano and Corey M. reviewed Marko Laiho’s new ambient mix he created for Radio Helsinki.
Marko Laiho’s forays into electronic music can be described as anything but explorations of the myth of the machine. Though his aesthetic pallet draws from future invocations – anything we say of the future is always about the present – he blurs the line between the biological and mechanical unlike so much of the greater genre proper. For this mix, created for Radio Helsinki, the bohemian devil troubadour crafts an enveloping near-ambient journey using samples of original work and that of other artists as well. The success or failure of music in this mode is dependent entirely upon pacing over the course of an unbroken set which in this case does not falter. Broken into halves, the latter is more recessed while the former is more pronounced.16 Comments
Former Dawning/Nothing Left composer and periodic Death Metal Underground writer Steve Cefala has unleashed his latest project, an attempt to synthesize metal, industrial, punk and post-apocalyptic roadhouse improvisational rock into a soundtrack for the decline and collapse of human civilization.1 Comment