Adversary – We Must Be in Hell (Cursed Productions, 1999)

The mid-to-late 1990s wasn’t a particularly interesting period in US death metal history. Old bands were busy coping with their past triumphs and the newer arrivals on the scene did what they could to recapture the magic of preceding classics, but by doing so stalled the potentials of exploration presented to them. However, there did exist a few notable exceptions, many of whom chose to peek at their European counterparts for galvanization. Among them were the Indiana-based Adversary – a much overlooked act then and now who came up with distinctive and unique approach to death metal.

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Nerlich – Defabricated Process (2007)

On Defabricated Process, the only album by this now resurrected Finnish death metal band, Nerlich exhibits very competent compositional skill, utterly obliterating the chronic masturbators who picked up a guitar and think they can play death metal, by putting their egos at bay to serve the piece, much like good musicians should do.

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Profanatica – Altar of the Virgin Whore (2018)

Following the peak of John Gelso’s manic laughter melodic sensibility on Thy Kingdom Cum, Profanatica entered artistic decline by releasing the excuse-to-tour Curling Flame of Blasphemy where the riffs were merely those of Disgusting Blasphemy Against God in a lull given a slight boost in populist consonance for the purpose of pleasing crowds. The G.G. Allin of black metal Paul Ledney sounded tired and uninspired which was reflected by the shark-jumping biker bar promotional pictures which were included in the booklet of the album. With Altar of the Virgin Whore we find Profanatica once again selling an excuse to tour only this time it is said plainly.

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