Statement from DEATHWAVE NEXION Record Label and Publishing House [MMXVIII E.H.]

D.A.R.G. : the statement below came to us from the leadership of Deathwave Nexion, and is published here as part of our continued support of outstanding music by people fostering genuinely dark philosophy through adversarial action.

Statement from DEATHWAVE NEXION Record Label and Publishing House:

Whilst remaining largely driven to the release of Neoclassical, Electronic and Ambient records, as detailed in the past and present efforts, our nexial decision to begin incorporating Heavy Metal bands into our cadre has come with no easy discernment. Purposefully aimed at quality over quantity, we have thus far approached or have been approached by artisans who we can collectively say are ‘masters of their craft,’ and no such lower tier of delivery should be permissible if our full weight of promotion and esoteric pairing are to be present.

We have selected a small group of individuals, each with their own sublets from which they are respective champions, but maintaining a shared lineup throughout. These are: DECIEVERION, a classic Black Metal act from Pennsylvania, and no stranger to the nightspirits of yesteryear; SHADOWS IN THE CRYPT, a ‘Sinister Cult’ from Pennsylvania whose sole purpose is to create the most menacing, hate-driven anthems of Devildom, and SERPENT OV OLD, the masterful effusion of many-years of learning through hardships and grief.

These three bands share one common thing among themselves: the members, whose efforts in the genre of North American Black Metal, and especially that which has thrived within the tri-state area, has existed and proliferated independent of genre-trends, subcultural infiltration or consumer interest. Nay, this Unholy Trinity has been, each respectively the bastions of inspiration, and each collectively, the circle of tradition, from which in the darkest times of the Black Metal genre’s foolery, have held down the fort for all of those whom have stayed pledged in allegiance to the dark.

What then separates the efforts of some small, underground, virtually invisible label, and its venture into the metal genre, from any other plastic theater? It is the fact that these “musicians,” are not just that, they are each individually, archetypes of the new aeon. The personnel surrounding the groups in question are antibodies within the mundane superstructure. Given to paths of sharp-living, recognizing no law, and no authority – foregoing the “normal” life which is emblazoned on the armbands of every reactionary, neo-Neckbeard; these are real criminals. They are dedicated to the dark deeds of the devil. In this, their journey towards restoration of principles once commonplace in Black Metal might yet see a renaissance, and in their seedings, might a new prototype of individual arise to stand before the failing species of man.

A New Sample Track from SERPENT OV OLD (2018 via Deathwave Nexion)

Many thanks to D.A.R.G. for the continued support and camaraderie, to S.R. Prozak and the Hessian stratosphere, and for their journalism, which has intersected with our work in the past, and with any luck will continue to in the future.

Julvarg
Deathwave Nexion
2018 Era Horrificus

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Fanisk: 2002-2013

Article by Doron Rosenberg

It would certainly not be far from the mark to say that Fanisk are the crowning achievement of “NSBM.” The limits reached by Eldrig’s sublime compositions, tempered by the conceptual direction given by Vitholf, far exceeded anything that came either from the “NS” or the “US” camps, altogether escaping the cliched definitions of either. That is, as music, Fanisk fits neither of the pseudo sub-genres in quesion, and only belongs to either by dint of their ideological sponsoring and geographical location. (more…)

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Arbeit macht frei


Article by Doron Rosenberg

“Work will make you free,” no more truthful beautiful statement has been made and set into action. The fact that the original intent and its whole meaningfulness has been swallowed up by propaganda and lies is a different matter altogether. Whatever the case, it is clear that it is only through work, by accomplishing goals that entail results, that we are able to gain power and influence, and thus an increased ‘freedom’ of action. This is true in each and every case, where the work done does indeed impact those performing it by returning a certain value.
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Kristallnacht – Blooddrenched Memorial 1994-2002 (2006)

Article by Doron Rosenberg

The present is the final compilation of all music released by “NSBM” band Kristallnacht. The importance of this release lies entirely on the fact that it is one of the few acts coming from said ideological background with any artistic merit at all. That said, Kristallnacht was always a band of modest musical means, making up for it with a subtle talent for suggestive melodies in lullaby-like triplet feels. As is “tradition” within these circles, the music aims at the formation of axis between melancholic longing, mystic elevation and disenfranchised anger. These are deeply connected to point of origin of everything that underlies the movement, explaining the very limited, usually embarrassingly poor resulting art —to which projects like Kristallnacht or Fanisk are an exception.
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A first step: MMXVIII eh

A triumphant first month has just elapsed, and our current team has been able to capitalize on all the effort and work that Brock Dorsey put introducing and maintaining a more structured internal protocol. By now, besides reviews focused on excellence and constructive highlighting, we have designed different series of articles, with more technical and didactic material in the works to propagate the know-how and philosophy for a dark artistry, rather than musical entertainment or sportsmanship.
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Submissions for DMU Zine and Compilation

The deadline for submissions for DMU’s new zine, Chymia Niger, and DMU’s original raw music compilation, Litigium is fast approaching. With the publishing date for a first edition projected for next Monday, we set our deadline on Saturday July 28 before midnight, U.S. Central Time. Our first post concerning these two projects provides more details, while our article on active imagination techniques applied to metal music listening, and our article proposing an extremely basic systematic training, provide ways in which individuals can discover how much they can bring forth.
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DMU chat/forum on DISCORD

In response to repeated requests at the reactivation of the now-obsolete Death Metal Underground forum section, our staff has decided to open an official DMU Discord server for the unhindered sharing of opinions, articles, links, music and more. (more…)

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Sadistic Metal Reviews: Write Good Riffs Or Die Edition

Article by Salustiano Ferdinand

I was listening to Persecution Mania yesterday when I opened my email and saw some new releases thrown my way to sift through for potential reviews. Although I’m generally skeptical of newer metal releases, the Shadows in the Crypt album was a pleasant and recent surprise, so I figured why not.
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