I reached out to Nortfalke from Tarnkappe to see if he would answer some of our staff’s questions. Here we go:
ZOM is essentially a crust band who starched by a discordant boondock black metal sensibility resulting in parlor tunes to cap off a hard day picking potatoes. Neither being soaked in rye nor smoked out on Dublin can make this release stand out in the fields of barley. The riffs aren’t worth paying attention to and as background music it is simply too assertive so it tends to pinch you if your mood isn’t wearing the right color.
Grand Belial’s Key’s two demos, Goat of a Thousand Young and Triumph of the Hordes, are being reissued on LP and CD by Worldwide Terror Committee Productions next month:
Will every single one of these bands eventually get AIDS? Let’s find out!
French Canadian Viking-themed black metal/ambient band Sanctuaire announced on their Facebook page that they are in the final stages of mixing their upcoming record, Feu Sacré (Sacred Fire). Hopefully the band have continued improving their compositional skills which advanced from their oft pedestrian Helserkr demo collection to last year’s sometimes inspiring Le Sang sur l’Acier EP.
Swedish black metal band Necrophobic is planning a short four show tour of Chile this June. Chilean fans should check them out especially as their best vocalist, Anders Strokirk off of The Nocturnal Silence, has rejoined the band. Hopefully they will play their best, early material.
All of Rotting Christ‘s back catalog is being reissued on vinyl by Peaceville Records starting with their second release and first studio album, Thy Mighty Contract on April 21st. Hack writer Dayal Patterson of Black Metal: Evolution of the Cult is writing liner notes along with bang co-founder Sakis Tolis. A box set of all of their releases, including the ones nobody wants, will be released later this year.
Article by David Rosales.
Recent publications on Death Metal Underground have triggered yet another group of self-entitled Dark Gurus and Awoken Entities of the Left Hand Path™, when the unholy names of some of the popular idols of the Satanic™ niche market group were apparently besmirched by people who simply do not think that the music in question is very good.
The grounds for this opinion rested on the simple perception of music as a form of communication and the knowledge and experience of the way black metal (and underground metal in general) aesthetics work; these are open to any with a sense of logic and understanding and in no moment alludes to ad hominem authority per se, but rather the sense of balanced, sensible consideration of the material at hand, which is always debatable.
Article by David Rosales.
The dilapidated edifice of modern human spirituality renders standard methods to access the secrets and mysteries so ineffectual that the average man today sees in these terms only quaint poetry or simply nonsense. A dark age of ignorance and inverted values requires an inverted path — one in which we enter a veritable Dark Night of the Soul, one in which a Nietzschean Going Under leads us to transformation and realization through acts of courage and commitment — is perhaps the most appropriate.