Profile: Jill Girardi and Dead Beat Shop (Malaysia)

dead_beat_mediaThose who have been around the death metal scene will remember the name Jill Girardi. Originally a founder of maverick label Razorback Records, she now runs Dead Beat Shop in Malaysia, where she continues to keep death metal strong. We were fortunate to get in a few words about Dead Beat Shop and Jill’s own history in music.

I understand you run your business from Penang, Malaysia. How’s the metal scene there?

Yes, that’s right. I’ve been living in Malaysia for about four and a half years now. I’m originally from New York! For such a small country, the metal scene here is very big. New bands are forming all the time. In the past, it seemed like bands took a great deal of time to release demos and albums, if at all.

But now there seems to be a new crop of bands coming up such as Humiliation, Succubus, Nonserviam and others, that have an unusual work ethic for this part of the world and work hard to get at least one release out every year, if not more. More bands are starting to take note of this and follow suit, which can only be good for the scene in the long run.

As far as shows go, the size of the crowd really depends on the band that is playing and the scene politics here are much the same as they were in the States.

Can you tell us a bit about your personal history, and how this came to be your path?

Well basically I was a lonely kid and metal was the only thing in my life that made me feel better. Most kids discovered metal because the had an older brother, relative or friend into it, but I found my way to Metal all by my lonesome nine-year-old self.

I started a zine and record label called Mortal Coil in the early 90s with Jay Lipitz from the band Insatanity. That lasted a few years with a few releases, and then folded. I then formed Razorback Records with another partner which was very successful, although I quit the label in 2009 and moved here to be with my fiance (now husband), who is Malaysian.

I was going to quit the music business, but I found there was no other work I could really do, having been doing this for most of my life. So my husband and I opened a metal shop and a new label.. to make a very long story short, Dead Beat Media! haha

What sorts of metal does Deadbeat specialize in, if any? Why do you choose this style(s) over others?

We specialize mainly in death metal as I always wanted to stay true to my “first love”, so to speak. Death Metal has been my life for so many years, I don’t think I could change it now even if I wanted to.

I’m not averse to releasing other styles of extreme music, and in fact I have. But Death Metal is the music I’ve always been passionate about ever since I discovered it. I’m sure you understand what I mean…

You’ve recently released Warmaster – The End of Humanity. What do you think are the strengths of this band?

This band has heart. They love what they do and they truly enjoy playing Death Metal. And I think that shows in the music. The obvious way to promote them is to compare them to Bolt Thrower and Benediction but there are other elements in there as well, a little bit of Cannibal Corpse and also a little bit of a punk influence.

I enjoy the mid-paced songs that will suddenly break into a crushing, catchy riff that hits you like a hammer, and the unique vocals. I’ve released probably something near 100 CDs in my time in the scene, and some of them were sheer embarrassments, haha. But this is a respectable CD I can stand behind and be proud of having released.

If someone wanted to get into old school metal today, what would be your advice to them?

Take suggestions from your friends and peers. There is a reason why the classic old bands are still talked about today. Find out who they are, buy their CDs and explore the genre.

But remember to make up your own mind.. don’t just listen to what other people say or what the critics say. Don’t be afraid to disagree with others’ opinions. Trust your own judgment, and your ability to decide for yourself if a band is good or not.


DEAD BEAT SHOP [ email ]
LOT 2B-04-05 4th Floor
KOMPLEKS TUN ABDUL RAZAK (KOMTAR)
GEORGETOWN, PENANG
10000 MALAYSIA
Tel: +60124460316

dead_beat_shop

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Nocturno Culto (Darkthrone) reveals new project Gift of Gods

gift_of_gods-receiveLong known as the adroit-fingered riffman for punk-black metal band Darkthrone, Nocturno Culto was once seen as a dark, mysterious and threatening figure but has adopted a more open public persona over the last decade.

As part of this, he is launching a re-vamped heavy metal style band named Gift of Gods which will be entirely his music separate from Darkthrone. The music sounds like Celtic Frost’s Cold Lake given a speed metal treatment and with the more complex riff transitions of earlier Celtic Frost.

To promote the new release, Receive, which will be released on October 28, Culto released a song “Enlightning Strikes” in edited form via the Peaceville mini-site for Gift of Gods.

Track list:

  1. Intro
  2. Enlightning Strikes
  3. Receive
  4. Looking For An Answer
  5. Last Solstice
  6. Outro

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Osmose productions re-issuing Graveland In the Glare of Burning Churches

graveland-in_the_glare_of_burning_churches-osmoseAs part of the continuing acceptance of the radicalism of black metal, Osmose Productions will re-issue Graveland’s first two works on LP. The releases feature new artwork, remastering and bonus tracks plus extended booklets.

In the Glare of Burning Churches will have four bonus tracks and remastering, in addition to new graphic design and a 20-page booklet featuring tributes from Nergal (Behemoth) and other black metal musicians. Also included will be previously unreleased photos.

The Celtic Winter (now titled Celtic Winter) will use a different mix that has not previously seen the light of day, including alternative bonus tracks. The booklet gets the same makeover, with tributes by black metal musicians, unreleased photos and new graphic design.

While in the 1990s it would have been inconceivable for such public leaders of the scene to reach into the radical underbelly of black metal, over the past twenty years black metal has acknowledged its radical origins — war against modern civilization and the morality of equality — and thus radicalization has been more accepted.

graveland-the_celtic_winter-osmoseFor black metal fans, the re-release of In the Glare of Burning Churches and Celtic Winter is a victory, since these essential works of third-wave black metal remain unknown to many new fans who instead must content themselves with third-wave imitations of these seminal works.

For more information, look to the Osmose page announcing the releases.

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Profanatica – Sickened by Holy Host / The Grand Masters Session


Profanatica
Sickened by Holy Host / The Grand Masters Session
81 min, Hells Headbangers, $12

profanatica-sickened_by_holy_host-the_grand_masters_sessionFor those new to Profanatica, this is the album to get. Like the band, it is baffling, organic, unsystematic, arcane and labyrinthine. It resembles its own hybrid of occultism, blasphemy and feral Jack London/Fred Nietzsche style absurdist feral Darwinism. It is ungovernable, down to the 7″-sized packaging for a relatively plain CD.

Sickened by Holy Host shows Profanatica at two extremes. The first is Paul Ledney, the percussionist and conceptual designer of the band, with an unnamed collaborator on guitar. The second is the same drum track with contemporary Profanatica guitarist John Gelso riffing along on guitar. The idea is that the first side shows us Profanatica as it might have been in the early 1990s, while the second side shows us Profanatica now as it evolves.

The Grand Masters Session on the other hand is a CD recording of the material Profanatica unleashed as a 7″ box set, and is essentially the band in the studio covering some old classics with updated musicianship and production. This serves as a continuity for the two parts and unites the album at full strength.

Together, Sickened by Holy Host / The Grand Masters Session reveals this atavistic American black metal band in all of their glory. The motivic force is undoubtedly Ledney’s (Revenant, Incantation, Havohej) impulsive but controlled drumming, which like a ritual dance of knives lures our listening minds closer to the core of each song. Gelso holds his own with an ability to make classic and new Profanatica riffs both simultaneously awkward and unearthly and also surprisingly difficult to pull off at speed. The result is an untameable surge of raw ideas guided by the torn-silk vocals of Ledney.

This album provides an ideal introduction to Profanatica because it captures its extremes through its most evolved material, giving a quick but deep plunge into the psyche of this sonic terrorism against the civilizing forces of religion and sociability. Soon you too will be chanting blasphemies against the highest holy while engaging in ceremonial defiance.

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Profanatica – Thy Kingdom Cum

profanatica-thy_kingdom_cumThe wizards of Profanatica/Havohej experiment extensively with their music in both form and content, and as a result, their releases are widely varied with differing degrees of success as listening (as opposed to “theoretical”) experiences.

Thy Kingdom Cum, the most recent offering which will be unleashed by Hells Headbangers Records on November 26, unifies the threads of Profanatica by being noisy and avantgarde in its blasphemy and song structures while keeping focus on fast-paced black metal with melodic undertones and creative riffing.

Like Impaled Nazarene’s Rapture, Thy Kingdom Cum re-interprets black metal in the late-1980s ideal of fast single-string riffs which combine hints of melody with unrelenting energy. The result is like a hybrid between industrial music, punk and Wagnerian classical: great towering themes emerge from riffs that resemble bent bits of wire or the symbols on schematic diagrams. You may notice similarities to proto-black metal like Sarcofago here.

Profanatica as usual do not shy away from blasphemy but unlike some past works, on Thy Kingdom Cum they’re not writing protest rock; they are here to enjoy the blasphemy and this demonic relish gives this album the playful sense that made 1991’s Dethrone the Son of God so thoroughly a forbidden pleasure. What you’re hearing is musicians having fun raising hell, even if underneath that humorous pleasure is a deadly serious message.

Like early Havohej, Thy Kingdom Cum is fast and simple and abrades the ears with intense riffs and unique but compressed song structures. Like the band’s musical peak in Profanatitas de Domonatia this newer work shows a dedication to producing depth of music in addition to pure noise and evocative rhythm from the ever-adroit Paul Ledney drumming.

Where Profanatica‘s last album, 2010’s Disgusting Blasphemies Against God, ventured into pure textural rhythm and a grinding atmosphere, this newer incarnation of the band shows more dedication to highly motivational ripping metal riffs and through periodic melody in a shorter version of the style on Profanatitas de Domonatia, an expansion of the relevance of riff structure beyond rhythm.

As the ongoing story of Profanatica/Havohej evolves, Thy Kingdom Cum will likely be remembered as a unification of their more cerebral esoteric black metal with a digestible and intense form that conveys their message like pastoral landscapes carved in flesh. As such, it may re-awakening blackmetal to its roots.

Tracklist:

  1. Ruptureholyhymen
  2. Foul The Air With Blasphemy
  3. Denounce Him
  4. False Doctrina
  5. Definite Atonement
  6. Thy Kingdom Cum
  7. Ropes of Hatred
  8. Water to Blood

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Glorious Times team produces Jill Funerus benefit show on October 17, 2013

jill_funerus_mcenteeAs you may have read on this site, recently Jill Funerus (bassist/vocalist for FUNERUS) who is also the wife of John McEntee from Incantation ran into a spate of health problems. In addition to battling neuropathy and diabetes, she suffered a heart attack and related kidney dysfunction, but has pulled through.

We congratulate her on having survived such an intense health challenge. However, neither she nor her husband have health insurance and thus, they’re facing some intense bills for the surgery, medicine and several days she spent at the hospital.

The metal community is banding together to help them. Through the hands of Brian Pattison, one-half of the Glorious Times team, a benefit show has been established with 100% of the profits going to Jill Funerus’ medical bills.

Jill Funerus Benefit
Thursday, October 17 at 7:00pm EDT
The Forvm in Buffalo, New York
4224 Maple Rd Buffalo, NY 14226
(716) 831-3271

If you can’t make the show, like many of us who are thousands of miles away, you can send money via paypal to info@funerus.com. If you are from a metal band or have something else you can donate for sale/raffle at the benefit, please message the Glorious Times team via glorioustimesdeathbook@gmail.com. See also the Facebook event listing.

List of bands supporting the Jill Funerus benefit:

  • Abnormality
  • Abolishment of flesh
  • Abysme
  • Autopsy
  • Barzakh
  • Bernd Backhaus
  • Black Bear Printing
  • Blood Coven
  • Brutality
  • Buried
  • Butchered Records
  • Cannibal Corpse
  • Cardiac Arrest
  • Capathian Funeral
  • Chuck “Patchmaster General” Parsons
  • Cianide
  • Circle of Dead Children
  • Dark Descent Records
  • Darkapathy
  • Deathcrawl
  • Deceased
  • Deformity
  • Demented Dream States
  • Dismemberment (OH)
  • Druid Lord
  • Embalmer
  • Emblazoned
  • Fleshbound Productions
  • Full Blown A.I.D.S.
  • Glorious Times
  • Grave Descent
  • Gravehill
  • Gutter Christ
  • HPGD
  • Horrormerch.com
  • HRA
  • Immolation
  • Impetigo
  • Insanity
  • Jaymz Delisle
  • Jeff Standish
  • Legacy of Death Productions
  • Liquified Guts
  • Low Road Revival
  • Lucertola
  • Malevolent Creation
  • Malignancy
  • Manticore
  • Master
  • Mat Romero
  • Mausoleum
  • Mike Browning (Incubus)
  • Misery Index
  • Music Matters
  • New Order Records
  • Nokturnel
  • Nokturnel Eclipse
  • Pathos Productions
  • Prime Evil
  • Radiation Sickness
  • Randy Kastner
  • Repulsion
  • Rottrevore
  • Sacrific
  • Sam Biles
  • Sathanas
  • Seplophile
  • Signature Riff
  • Soulless
  • Splatterreah
  • Stevo (Impetigo, Tombstones)
  • Tainted Entertainment
  • Vile Records
  • Visions of the Night
  • Wehrmacht

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Glorious Times team producing benefit show for Jill Funerus

jill_funerus-funerusFirst, a quick update on Jill Funerus and her health challenges. She had 100% blockage in one artery and less in another, but the damage was still extensive enough to cause a heart attack and kidney problems.

She went into surgery about 22 hours ago. However, she does not have health insurance and neither does her husband. Thus, she’s going to face some heft medical bills when this is all over.

To counter those bills, the Glorious Times team have partnered with death metal bands across the world to throw a fundraiser. Bands will donate items for a raffle, and perform, with the proceeds going to Jill for payment of her medical bills.

If you, dear reader, wish to help her out in this time of need, you can send funds via PayPal to info@funerus.com. Here’s the list of bands who have pledged donations for the Jill Funerus benefit:

  • Cardiac Arrest
  • Gravehill
  • Repulsion
  • Rottrevore
  • Insanity
  • Embalmer
  • Mike Browning (Incubus)
  • Cianide
  • Druid Lord
  • Impetigo
  • Wehrmacht
  • Master

If you are a band, label or distro and want to help out with the Jill Funerus benefit, please send an email to glorioustimesdeathbook@gmail.com.

Otherwise, check back here or on the Glorious Times Facebook.

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Glorious Times team releases Nuclear Death profile

glorious_times_coverThe book Glorious Times portrayed the experience of being involved in the early metal underground in a way that no one else has attempted before or since. It awakened in many of us a desire for such times again, when truth mattered more than commerce and popularity.

Despite being initially scoffed at by publishers, Glorious Times exceeded all expectations and became a metal institution. The publishers, Alan Moses and Brian Pattison, have stayed active in the underground by promoting shows, writing reviews, and pushing forward bands that seem to have that sense of connection to reality that defined the early underground.

As part of their continued activity, Moses and Pattison have released a profile of longstanding band Nuclear Death. According to Pattison, the material had been slated to be part of the first printing of Glorious Times, but for scheduling reasons was never part of that issue.

Instead, it’s now available for free download thanks to the Glorious Times team wanting to update Facebook friends with a reward for their loyalty and continued attention to both Glorious Times and the underground.

This multi-page spread features a unique story by Lori Bravo of Nuclear Death, previously undiscovered pictures from the era, and the classic zine-style layout which made Glorious Times a hit with the oldschooler crowd as well as new generations looking for an alternative to corporate media.

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Profanatica to release Thy Kingdom Cum on November 26

profanatica-thy_kingdom_cumDemonic occultist black metal band Profanatica, also known sometimes as Havohej, continues its quest to demolish holiness with impure sexual abuse of the incarnate divine.

This legendary band have been active in many forms since the late 1980s, with founding member Paul Ledney contributing to Revenant, Incantation, Havohej and Profanatica as well as being an anchor of the true black metal movement in North America.

Thy Kingdom Cum will see release on Hell’s Headbangers label in both CD and LP formats on November 26, 2013. This follows up to a series of releases following Profanatica’s Profanatitas de Domonatia, which in 2007 marked the rebirth of this vital blasphemous cult.

The album can be pre-ordered and advance tracks heard on the label website.

Tracklist:

  1. Ruptureholyhymen
  2. Foul The Air With Blasphemy
  3. Denounce Him
  4. False Doctrina
  5. Definite Atonement
  6. Thy Kingdom Cum
  7. Ropes of Hatred
  8. Water to Blood
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A word on protection of speech

parents_music_resource_center_pmrcI am an introvert, but I tend to like people. I see in each of you a series of small (and in some cases, large) miracles. Biology and naturalism will always fascinate me, as will the study of the mind, and of reality itself. It is full of wonder.

That being said… I’m not going to agree with most of you on anything except the really obvious (Mental Funeral is Autopsy’s best album, nu-core is a misstep for metal, and the Cro-Mags trash almost all UK punk except Amebix and Discharge). I’m a realist, an active nihilist, and a perennialist. You will find my view of life either laughably stupid, appallingly Jack Londonism, or not materialistic enough. So it goes.

The point of that rather pretentious detour is that I’m not into the business of trying to stop other people from having their say. There’s only really two limits on that: illegal, or non-contributive. The latter is a field that like all things is a subjective assessment of an objective reality, and includes but is not limited to being massively off-topic, repetitive and played word-tics, violent and pointless speech directed at groups, drive by commercial spam, anal goat porn, etc. Illegality threatens the site, and the other is basically equivalent of commercial spam in that it has nothing to give to the community here. You have to meet us halfway.

You’ll notice there are no ideological limits there, but it does overlap with some ideological questions. For example, is outright political debate acceptable here? Based on other failed experiments along these lines, it’s clear that it isn’t. It polarizes one way or the other and then all the users are compelled to fall into lock-step with Ideologies created and endorsed by large impersonal entities. I see no point in that, but it’s also not that easy. Our political outlooks are a product of our personalities and philosophies. They’re going to creep into everything we do, because the political outlook is the result of a philosophy of life. (It even extends to cooking and music listening.)

A new user recently wrote in with a complaint and eventually he said:

Came by your site again to check out thoughts on the new Carcass single but was put off the rampant homophobia in the comments section. Since I now know that you moderate comments and only post those that “contribute” to the conversation, I feel I must inform you that I will never be visiting deathmetal.org again.

Naturally, the true metalhead response is to give the finger and say, “Eat dicks, you clone!” Right?

I dunno. I’d rather people come could in, learn about metal, and learn about metal’s philosophy of life. I don’t trust the plastic Ideologies and I think we should look toward what a metal society would be like, which would probably resemble a cross between things found on Summoning and Voivod albums. But the point is, why erect a DO NOT ENTRY sign at the door, especially considering that most people are brainwashed by TV, parents, big media, the government, the Raelians, etc.?

When I started in metal, it was the Reagan 1980s. People were reclaiming a country that had split apart in 1968 and drifted into the easy pleasures of the 1970s. But like all compensations, this one over-compensated. As a result, thanks to (Democratic, ironically) politicians you could get carded as a 55-year-old man for buying an Eazy-E cassette tape, and people did get their asses pounded flat for being Communists.

In the 1990s, the shoe went on the other foot, and it’s still that way. You won’t find anyone in the whole metal sphere expressing a right-wing opinion, but they also take the sort of casual “yes, Mom” approach to leftist beliefs as well. Metalheads, even when they adopt Ideology, are skeptical of it. A metal society is one united by brotherhood of battle, honesty, realism and human desires to exceed the lowest common denominator, wherever it manifests itself. It doesn’t need or have Ideology. It has culture.

http://www.youtube.com/watch?v=4GzUh4PJVx8

Thus, I’m going to demonstrate with my behavior what my ideals are. I’m going to ask our regular posters to be welcoming. I’m not going to ask you to stop using the term “gaydar.” I don’t care about political correctness, which as far as I’m concerned is just Communist-bashing in a new form, making people feel superior to others for having some point of view or another. I’m going to ask our anonymous commentator here also to grow up a bit and accept a difference of opinion. Just because he thinks his opinion is correct, and the media and government and large corporations agree with him, does not mean we should end the debate there. He should be welcoming as well.

You’ll notice this isn’t a rule. Yeah, I don’t believe in rules. They train us to be submissive and stop watching our own behavior for its actual consequences, and they make us resent authority because rules are blockheaded (literally: square and boxy, where life is elegant curves), in addition to being easy to sidestep and thus defining a new “minimum tolerance” standard which is quickly exploited. This is how we’d do it in a Hessian society: this is a good idea and we should adopt it.

But in that spirit — and to avoid blatant hypocrisy — the comments are open for discussion on this issue.

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